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RE:企业招聘六大潜规则揭密
Two Gentlemen of Verona: Entire PlayTwo Gentlemen of Verona
Shakespeare homepage | Two Gentlemen of Verona | Entire play
ACT I
SCENE I. Verona. An open place.
Enter VALENTINE and PROTEUS
VALENTINE
Cease to persuade, my loving Proteus:
Home-keeping youth have ever homely wits.
Were't not affection chains thy tender days
To the sweet glances of thy honour'd love,
I rather would entreat thy company
To see the wonders of the world abroad,
Than, living dully sluggardized at home,
Wear out thy youth with shapeless idleness.
But since thou lovest, love still and thrive therein,
Even as I would when I to love begin.
PROTEUS
Wilt thou be gone? Sweet Valentine, adieu!
Think on thy Proteus, when thou haply seest
Some rare note-worthy object in thy travel:
Wish me partaker in thy happiness
When thou dost meet good hap; and in thy danger,
If ever danger do environ thee,
Commend thy grievance to my holy prayers,
For I will be thy beadsman, Valentine.
VALENTINE
And on a love-book pray for my success?
PROTEUS
Upon some book I love I'll pray for thee.
VALENTINE
That's on some shallow story of deep love:
How young Leander cross'd the Hellespont.
PROTEUS
That's a deep story of a deeper love:
For he was more than over shoes in love.
VALENTINE
'Tis true; for you are over boots in love,
And yet you never swum the Hellespont.
PROTEUS
Over the boots? nay, give me not the boots.
VALENTINE
No, I will not, for it boots thee not.
PROTEUS
What?
VALENTINE
To be in love, where scorn is bought with groans;
Coy looks with heart-sore sighs; one fading moment's mirth
With twenty watchful, weary, tedious nights:
If haply won, perhaps a hapless gain;
If lost, why then a grievous labour won;
However, but a folly bought with wit,
Or else a wit by folly vanquished.
PROTEUS
So, by your circumstance, you call me fool.
VALENTINE
So, by your circumstance, I fear you'll prove.
PROTEUS
'Tis love you cavil at: I am not Love.
VALENTINE
Love is your master, for he masters you:
And he that is so yoked by a fool,
Methinks, should not be chronicled for wise.
PROTEUS
Yet writers say, as in the sweetest bud
The eating canker dwells, so eating love
Inhabits in the finest wits of all.
VALENTINE
And writers say, as the most forward bud
Is eaten by the canker ere it blow,
Even so by love the young and tender wit
Is turn'd to folly, blasting in the bud,
Losing his verdure even in the prime
And all the fair effects of future hopes.
But wherefore waste I time to counsel thee,
That art a votary to fond desire?
Once more adieu! my father at the road
Expects my coming, there to see me shipp'd.
PROTEUS
And thither will I bring thee, Valentine.
VALENTINE
Sweet Proteus, no; now let us take our leave.
To Milan let me hear from thee by letters
Of thy success in love, and what news else
Betideth here in absence of thy friend;
And likewise will visit thee with mine.
PROTEUS
All happiness bechance to thee in Milan!
VALENTINE
As much to you at home! and so, farewell.
Exit
PROTEUS
He after honour hunts, I after love:
He leaves his friends to dignify them more,
I leave myself, my friends and all, for love.
Thou, Julia, thou hast metamorphosed me,
Made me neglect my studies, lose my time,
War with good counsel, set the world at nought;
Made wit with musing weak, heart sick with thought.
Enter SPEED
SPEED
Sir Proteus, save you! Saw you my master?
PROTEUS
But now he parted hence, to embark for Milan.
SPEED
Twenty to one then he is shipp'd already,
And I have play'd the sheep in losing him.
PROTEUS
Indeed, a sheep doth very often stray,
An if the shepherd be a while away.
SPEED
You conclude that my master is a shepherd, then,
and I a sheep?
PROTEUS
I do.
SPEED
Why then, my horns are his horns, whether I wake or sleep.
PROTEUS
A silly answer and fitting well a sheep.
SPEED
This proves me still a sheep.
PROTEUS
True; and thy master a shepherd.
SPEED
Nay, that I can deny by a circumstance.
PROTEUS
It shall go hard but I'll prove it by another.
SPEED
The shepherd seeks the sheep, and not the sheep the
shepherd; but I seek my master, and my master seeks
not me: therefore I am no sheep.
PROTEUS
The sheep for fodder follow the shepherd; the
shepherd for food follows not the sheep: thou for
wages followest thy master; thy master for wages
follows not thee: therefore thou art a sheep.
SPEED
Such another proof will make me cry 'baa.'
PROTEUS
But, dost thou hear? gavest thou my letter to Julia?
SPEED
Ay sir: I, a lost mutton, gave your letter to her,
a laced mutton, and she, a laced mutton, gave me, a
lost mutton, nothing for my labour.
PROTEUS
Here's too small a pasture for such store of muttons.
SPEED
If the ground be overcharged, you were best stick her.
PROTEUS
Nay: in that you are astray, 'twere best pound you.
SPEED
Nay, sir, less than a pound shall serve me for
carrying your letter.
PROTEUS
You mistake; I mean the pound,--a pinfold.
SPEED
From a pound to a pin? fold it over and over,
'Tis threefold too little for carrying a letter to
your lover.
PROTEUS
But what said she?
SPEED
[First nodding] Ay.
PROTEUS
Nod--Ay--why, that's noddy.
SPEED
You mistook, sir; I say, she did nod: and you ask
me if she did nod; and I say, 'Ay.'
PROTEUS
And that set together is noddy.
SPEED
Now you have taken the pains to set it together,
take it for your pains.
PROTEUS
No, no; you shall have it for bearing the letter.
SPEED
Well, I perceive I must be fain to bear with you.
PROTEUS
Why sir, how do you bear with me?
SPEED
Marry, sir, the letter, very orderly; having nothing
but the word 'noddy' for my pains.
PROTEUS
Beshrew me, but you have a quick wit.
SPEED
And yet it cannot overtake your slow purse.
PROTEUS
Come come, open the matter in brief: what said she?
SPEED
Open your purse, that the money and the matter may
be both at once delivered.
PROTEUS
Well, sir, here is for your pains. What said she?
SPEED
Truly, sir, I think you'll hardly win her.
PROTEUS
Why, couldst thou perceive so much from her?
SPEED
Sir, I could perceive nothing at all from her; no,
not so much as a ducat for delivering your letter:
and being so hard to me that brought your mind, I
fear she'll prove as hard to you in telling your
mind. Give her no token but stones; for she's as
hard as steel.
PROTEUS
What said she? nothing?
SPEED
No, not so much as 'Take this for thy pains.' To
testify your bounty, I thank you, you have testerned
me; in requital whereof, henceforth carry your
letters yourself: and so, sir, I'll commend you to my master.
PROTEUS
Go, go, be gone, to save your ship from wreck,
Which cannot perish having thee aboard,
Being destined to a drier death on shore.
Exit SPEED
I must go send some better messenger:
I fear my Julia would not deign my lines,
Receiving them from such a worthless post.
Exit
SCENE II. The same. Garden of JULIA's house.
Enter JULlA and LUCETTA
JULIA
But say, Lucetta, now we are alone,
Wouldst thou then counsel me to fall in love?
LUCETTA
Ay, madam, so you stumble not unheedfully.
JULIA
Of all the fair resort of gentlemen
That every day with parle encounter me,
In thy opinion which is worthiest love?
LUCETTA
Please you repeat their names, I'll show my mind
According to my shallow simple skill.
JULIA
What think'st thou of the fair Sir Eglamour?
LUCETTA
As of a knight well-spoken, neat and fine;
But, were I you, he never should be mine.
JULIA
What think'st thou of the rich Mercatio?
LUCETTA
Well of his wealth; but of himself, so so.
JULIA
What think'st thou of the gentle Proteus?
LUCETTA
Lord, Lord! to see what folly reigns in us!
JULIA
How now! what means this passion at his name?
LUCETTA
Pardon, dear madam: 'tis a passing shame
That I, unworthy body as I am,
Should censure thus on lovely gentlemen.
JULIA
Why not on Proteus, as of all the rest?
LUCETTA
Then thus: of many good I think him best.
JULIA
Your reason?
LUCETTA
I have no other, but a woman's reason;
I think him so because I think him so.
JULIA
And wouldst thou have me cast my love on him?
LUCETTA
Ay, if you thought your love not cast away.
JULIA
Why he, of all the rest, hath never moved me.
LUCETTA
Yet he, of all the rest, I think, best loves ye.
JULIA
His little speaking shows his love but small.
LUCETTA
Fire that's closest kept burns most of all.
JULIA
They do not love that do not show their love.
LUCETTA
O, they love least that let men know their love.
JULIA
I would I knew his mind.
LUCETTA
Peruse this paper, madam.
JULIA
'To Julia.' Say, from whom?
LUCETTA
That the contents will show.
JULIA
Say, say, who gave it thee?
LUCETTA
Valentine's page; and sent, I think, from Proteus.
He would have given it you; but I, being in the way,
Did in your name receive it: pardon the
fault I pray.
JULIA
Now, by my modesty, a goodly broker!
Dare you presume to harbour wanton lines?
To whisper and conspire against my youth?
Now, trust me, 'tis an office of great worth
And you an officer fit for the place.
Or else return no more into my sight.
LUCETTA
To plead for love deserves more fee than hate.
JULIA
Will ye be gone?
LUCETTA
That you may ruminate.
Exit
JULIA
And yet I would I had o'erlooked the letter:
It were a shame to call her back again
And pray her to a fault for which I chid her.
What a fool is she, that knows I am a maid,
And would not force the letter to my view!
Since maids, in modesty, say 'no' to that
Which they would have the profferer construe 'ay.'
Fie, fie, how wayward is this foolish love
That, like a testy babe, will scratch the nurse
And presently all humbled kiss the rod!
How churlishly I chid Lucetta hence,
When willingly I would have had her here!
How angerly I taught my brow to frown,
When inward joy enforced my heart to smile!
My penance is to call Lucetta back
And ask remission for my folly past.
What ho! Lucetta!
Re-enter LUCETTA
LUCETTA
What would your ladyship?
JULIA
Is't near dinner-time?
LUCETTA
I would it were,
That you might kill your stomach on your meat
And not upon your maid.
JULIA
What is't that you took up so gingerly?
LUCETTA
Nothing.
JULIA
Why didst thou stoop, then?
LUCETTA
To take a paper up that I let fall.
JULIA
And is that paper nothing?
LUCETTA
Nothing concerning me.
JULIA
Then let it lie for those that it concerns.
LUCETTA
Madam, it will not lie where it concerns
Unless it have a false interpeter.
JULIA
Some love of yours hath writ to you in rhyme.
LUCETTA
That I might sing it, madam, to a tune.
Give me a note: your ladyship can set.
JULIA
As little by such toys as may be possible.
Best sing it to the tune of 'Light o' love.'
LUCETTA
It is too heavy for so light a tune.
JULIA
Heavy! belike it hath some burden then?
LUCETTA
Ay, and melodious were it, would you sing it.
JULIA
And why not you?
LUCETTA
I cannot reach so high.
JULIA
Let's see your song. How now, minion!
LUCETTA
Keep tune there still, so you will sing it out:
And yet methinks I do not like this tune.
JULIA
You do not?
LUCETTA
No, madam; it is too sharp.
JULIA
You, minion, are too saucy.
LUCETTA
Nay, now you are too flat
And mar the concord with too harsh a descant:
There wanteth but a mean to fill your song.
JULIA
The mean is drown'd with your unruly bass.
LUCETTA
Indeed, I bid the base for Proteus.
JULIA
This babble shall not henceforth trouble me.
Here is a coil with protestation!
Tears the letter
Go get you gone, and let the papers lie:
You would be fingering them, to anger me.
LUCETTA
She makes it strange; but she would be best pleased
To be so anger'd with another letter.
Exit
JULIA
Nay, would I were so anger'd with the same!
O hateful hands, to tear such loving words!
Injurious wasps, to feed on such sweet honey
And kill the bees that yield it with your stings!
I'll kiss each several paper for amends.
Look, here is writ 'kind Julia.' Unkind Julia!
As in revenge of thy ingratitude,
I throw thy name against the bruising stones,
Trampling contemptuously on thy disdain.
And here is writ 'love-wounded Proteus.'
Poor wounded name! my bosom as a bed
Shall lodge thee till thy wound be thoroughly heal'd;
And thus I search it with a sovereign kiss.
But twice or thrice was 'Proteus' written down.
Be calm, good wind, blow not a word away
Till I have found each letter in the letter,
Except mine own name: that some whirlwind bear
Unto a ragged fearful-hanging rock
And throw it thence into the raging sea!
Lo, here in one line is his name twice writ,
'Poor forlorn Proteus, passionate Proteus,
To the sweet Julia:' that I'll tear away.
And yet I will not, sith so prettily
He couples it to his complaining names.
Thus will I fold them one on another:
Now kiss, embrace, contend, do what you will.
Re-enter LUCETTA
LUCETTA
Madam,
Dinner is ready, and your father stays.
JULIA
Well, let us go.
LUCETTA
What, shall these papers lie like tell-tales here?
JULIA
If you respect them, best to take them up.
LUCETTA
Nay, I was taken up for laying them down:
Yet here they shall not lie, for catching cold.
JULIA
I see you have a month's mind to them.
LUCETTA
Ay, madam, you may say what sights you see;
I see things too, although you judge I wink.
JULIA
Come, come; will't please you go?
Exeunt
SCENE III. The same. ANTONIO's house.
Enter ANTONIO and PANTHINO
ANTONIO
Tell me, Panthino, what sad talk was that
Wherewith my brother held you in the cloister?
PANTHINO
'Twas of his nephew Proteus, your son.
ANTONIO
Why, what of him?
PANTHINO
He wonder'd that your lordship
Would suffer him to spend his youth at home,
While other men, of slender reputation,
Put forth their sons to seek preferment out:
Some to the wars, to try their fortune there;
Some to discover islands far away;
Some to the studious universities.
For any or for all these exercises,
He said that Proteus your son was meet,
And did request me to importune you
To let him spend his time no more at home,
Which would be great impeachment to his age,
In having known no travel in his youth.
ANTONIO
Nor need'st thou much importune me to that
Whereon this month I have been hammering.
I have consider'd well his loss of time
And how he cannot be a perfect man,
Not being tried and tutor'd in the world:
Experience is by industry achieved
And perfected by the swift course of time.
Then tell me, whither were I best to send him?
PANTHINO
I think your lordship is not ignorant
How his companion, youthful Valentine,
Attends the emperor in his royal court.
ANTONIO
I know it well.
PANTHINO
'Twere good, I think, your lordship sent him thither:
There shall he practise tilts and tournaments,
Hear sweet discourse, converse with noblemen.
And be in eye of every exercise
Worthy his youth and nobleness of birth.
ANTONIO
I like thy counsel; well hast thou advised:
And that thou mayst perceive how well I like it,
The execution of it shall make known.
Even with the speediest expedition
I will dispatch him to the emperor's court.
PANTHINO
To-morrow, may it please you, Don Alphonso,
With other gentlemen of good esteem,
Are journeying to salute the emperor
And to commend their service to his will.
ANTONIO
Good company; with them shall Proteus go:
And, in good time! now will we break with him.
Enter PROTEUS
PROTEUS
Sweet love! sweet lines! sweet life!
Here is her hand, the agent of her heart;
Here is her oath for love, her honour's pawn.
O, that our fathers would applaud our loves,
To seal our happiness with their consents!
O heavenly Julia!
ANTONIO
How now! what letter are you reading there?
PROTEUS
May't please your lordship, 'tis a word or two
Of commendations sent from Valentine,
Deliver'd by a friend that came from him.
ANTONIO
Lend me the letter; let me see what news.
PROTEUS
There is no news, my lord, but that he writes
How happily he lives, how well beloved
And daily graced by the emperor;
Wishing me with him, partner of his fortune.
ANTONIO
And how stand you affected to his wish?
PROTEUS
As one relying on your lordship's will
And not depending on his friendly wish.
ANTONIO
My will is something sorted with his wish.
Muse not that I thus suddenly proceed;
For what I will, I will, and there an end.
I am resolved that thou shalt spend some time
With Valentinus in the emperor's court:
What maintenance he from his friends receives,
Like exhibition thou shalt have from me.
To-morrow be in readiness to go:
Excuse it not, for I am peremptory.
PROTEUS
My lord, I cannot be so soon provided:
Please you, deliberate a day or two.
ANTONIO
Look, what thou want'st shall be sent after thee:
No more of stay! to-morrow thou must go.
Come on, Panthino: you shall be employ'd
To hasten on his expedition.
Exeunt ANTONIO and PANTHINO
PROTEUS
Thus have I shunn'd the fire for fear of burning,
And drench'd me in the sea, where I am drown'd.
I fear'd to show my father Julia's letter,
Lest he should take exceptions to my love;
And with the vantage of mine own excuse
Hath he excepted most against my love.
O, how this spring of love resembleth
The uncertain glory of an April day,
Which now shows all the beauty of the sun,
And by and by a cloud takes all away!
Re-enter PANTHINO
PANTHINO
Sir Proteus, your father calls for you:
He is in haste; therefore, I pray you to go.
PROTEUS
Why, this it is: my heart accords thereto,
And yet a thousand times it answers 'no.'
Exeunt
ACT II
SCENE I. Milan. The DUKE's palace.
Enter VALENTINE and SPEED
SPEED
Sir, your glove.
VALENTINE
Not mine; my gloves are on.
SPEED
Why, then, this may be yours, for this is but one.
VALENTINE
Ha! let me see: ay, give it me, it's mine:
Sweet ornament that decks a thing divine!
Ah, Silvia, Silvia!
SPEED
Madam Silvia! Madam Silvia!
VALENTINE
How now, sirrah?
SPEED
She is not within hearing, sir.
VALENTINE
Why, sir, who bade you call her?
SPEED
Your worship, sir; or else I mistook.
VALENTINE
Well, you'll still be too forward.
SPEED
And yet I was last chidden for being too slow.
VALENTINE
Go to, sir: tell me, do you know Madam Silvia?
SPEED
She that your worship loves?
VALENTINE
Why, how know you that I am in love?
SPEED
Marry, by these special marks: first, you have
learned, like Sir Proteus, to wreathe your arms,
like a malecontent; to relish a love-song, like a
robin-redbreast; to walk alone, like one that had
the pestilence; to sigh, like a school-boy that had
lost his A B C; to weep, like a young wench that had
buried her grandam; to fast, like one that takes
diet; to watch like one that fears robbing; to
speak puling, like a beggar at Hallowmas. You were
wont, when you laughed, to crow like a cock; when you
walked, to walk like one of the lions; when you
fasted, it was presently after dinner; when you
looked sadly, it was for want of money: and now you
are metamorphosed with a mistress, that, when I look
on you, I can hardly think you my master.
VALENTINE
Are all these things perceived in me?
SPEED
They are all perceived without ye.
VALENTINE
Without me? they cannot.
SPEED
Without you? nay, that's certain, for, without you
were so simple, none else would: but you are so
without these follies, that these follies are within
you and shine through you like the water in an
urinal, that not an eye that sees you but is a
physician to comment on your malady.
VALENTINE
But tell me, dost thou know my lady Silvia?
SPEED
She that you gaze on so as she sits at supper?
VALENTINE
Hast thou observed that? even she, I mean.
SPEED
Why, sir, I know her not.
VALENTINE
Dost thou know her by my gazing on her, and yet
knowest her not?
SPEED
Is she not hard-favoured, sir?
VALENTINE
Not so fair, boy, as well-favoured.
SPEED
Sir, I know that well enough.
VALENTINE
What dost thou know?
SPEED
That she is not so fair as, of you, well-favoured.
VALENTINE
I mean that her beauty is exquisite, but her favour infinite.
SPEED
That's because the one is painted and the other out
of all count.
VALENTINE
How painted? and how out of count?
SPEED
Marry, sir, so painted, to make her fair, that no
man counts of her beauty.
VALENTINE
How esteemest thou me? I account of her beauty.
SPEED
You never saw her since she was deformed.
VALENTINE
How long hath she been deformed?
SPEED
Ever since you loved her.
VALENTINE
I have loved her ever since I saw her; and still I
see her beautiful.
SPEED
If you love her, you cannot see her.
VALENTINE
Why?
SPEED
Because Love is blind. O, that you had mine eyes;
or your own eyes had the lights they were wont to
have when you chid at Sir Proteus for going
ungartered!
VALENTINE
What should I see then?
SPEED
Your own present folly and her passing deformity:
for he, being in love, could not see to garter his
hose, and you, being in love, cannot see to put on your hose.
VALENTINE
Belike, boy, then, you are in love; for last
morning you could not see to wipe my shoes.
SPEED
True, sir; I was in love with my bed: I thank you,
you swinged me for my love, which makes me the
bolder to chide you for yours.
VALENTINE
In conclusion, I stand affected to her.
SPEED
I would you were set, so your affection would cease.
VALENTINE
Last night she enjoined me to write some lines to
one she loves.
SPEED
And have you?
VALENTINE
I have.
SPEED
Are they not lamely writ?
VALENTINE
No, boy, but as well as I can do them. Peace!
here she comes.
SPEED
[Aside] O excellent motion! O exceeding puppet!
Now will he interpret to her.
Enter SILVIA
VALENTINE
Madam and mistress, a thousand good-morrows.
SPEED
[Aside] O, give ye good even! here's a million of manners.
SILVIA
Sir Valentine and servant, to you two thousand.
SPEED
[Aside] He should give her interest and she gives it him.
VALENTINE
As you enjoin'd me, I have writ your letter
Unto the secret nameless friend of yours;
Which I was much unwilling to proceed in
But for my duty to your ladyship.
SILVIA
I thank you gentle servant: 'tis very clerkly done.
VALENTINE
Now trust me, madam, it came hardly off;
For being ignorant to whom it goes
I writ at random, very doubtfully.
SILVIA
Perchance you think too much of so much pains?
VALENTINE
No, madam; so it stead you, I will write
Please you command, a thousand times as much; And yet--
SILVIA
A pretty period! Well, I guess the sequel;
And yet I will not name it; and yet I care not;
And yet take this again; and yet I thank you,
Meaning henceforth to trouble you no more.
SPEED
[Aside] And yet you will; and yet another 'yet.'
VALENTINE
What means your ladyship? do you not like it?
SILVIA
Yes, yes; the lines are very quaintly writ;
But since unwillingly, take them again.
Nay, take them.
VALENTINE
Madam, they are for you.
SILVIA
Ay, ay: you writ them, sir, at my request;
But I will none of them; they are for you;
I would have had them writ more movingly.
VALENTINE
Please you, I'll write your ladyship another.
SILVIA
And when it's writ, for my sake read it over,
And if it please you, so; if not, why, so.
VALENTINE
If it please me, madam, what then?
SILVIA
Why, if it please you, take it for your labour:
And so, good morrow, servant.
Exit
SPEED
O jest unseen, inscrutable, invisible,
As a nose on a man's face, or a weathercock on a steeple!
My master sues to her, and she hath
taught her suitor,
He being her pupil, to become her tutor.
O excellent device! was there ever heard a better,
That my master, being scribe, to himself should write
the letter?
VALENTINE
How now, sir? what are you reasoning with yourself?
SPEED
Nay, I was rhyming: 'tis you that have the reason.
VALENTINE
To do what?
SPEED
To be a spokesman for Madam Silvia.
VALENTINE
To whom?
SPEED
To yourself: why, she wooes you by a figure.
VALENTINE
What figure?
SPEED
By a letter, I should say.
VALENTINE
Why, she hath not writ to me?
SPEED
What need she, when she hath made you write to
yourself? Why, do you not perceive the jest?
VALENTINE
No, believe me.
SPEED
No believing you, indeed, sir. But did you perceive
her earnest?
VALENTINE
She gave me none, except an angry word.
SPEED
Why, she hath given you a letter.
VALENTINE
That's the letter I writ to her friend.
SPEED
And that letter hath she delivered, and there an end.
VALENTINE
I would it were no worse.
SPEED
I'll warrant you, 'tis as well:
For often have you writ to her, and she, in modesty,
Or else for want of idle time, could not again reply;
Or fearing else some messenger that might her mind discover,
Herself hath taught her love himself to write unto her lover.
All this I speak in print, for in print I found it.
Why muse you, sir? 'tis dinner-time.
VALENTINE
I have dined.
SPEED
Ay, but hearken, sir; though the chameleon Love can
feed on the air, I am one that am nourished by my
victuals, and would fain have meat. O, be not like
your mistress; be moved, be moved.
Exeunt
SCENE II. Verona. JULIA'S house.
Enter PROTEUS and JULIA
PROTEUS
Have patience, gentle Julia.
JULIA
I must, where is no remedy.
PROTEUS
When possibly I can, I will return.
JULIA
If you turn not, you will return the sooner.
Keep this remembrance for thy Julia's sake.
Giving a ring
PROTEUS
Why then, we'll make exchange; here, take you this.
JULIA
And seal the bargain with a holy kiss.
PROTEUS
Here is my hand for my true constancy;
And when that hour o'erslips me in the day
Wherein I sigh not, Julia, for thy sake,
The next ensuing hour some foul mischance
Torment me for my love's forgetfulness!
My father stays my coming; answer not;
The tide is now: nay, not thy tide of tears;
That tide will stay me longer than I should.
Julia, farewell!
Exit JULIA
What, gone without a word?
Ay, so true love should do: it cannot speak;
For truth hath better deeds than words to grace it.
Enter PANTHINO
PANTHINO
Sir Proteus, you are stay'd for.
PROTEUS
Go; I come, I come.
Alas! this parting strikes poor lovers dumb.
Exeunt
SCENE III. The same. A street.
Enter LAUNCE, leading a dog
LAUNCE
Nay, 'twill be this hour ere I have done weeping;
all the kind of the Launces have this very fault. I
have received my proportion, like the prodigious
son, and am going with Sir Proteus to the Imperial's
court. I think Crab, my dog, be the sourest-natured
dog that lives: my mother weeping, my father
wailing, my sister crying, our maid howling, our cat
wringing her hands, and all our house in a great
perple |
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